There is more depth given to Tom this time around, including an episode where he goes home to his family for Christmas they care so little about his acting career that it’s easy to see why Jessie makes him feel so comfortable. Yes, she makes mistakes, but who wouldn’t put a Magic Mike Live T-shirt on their credit card when swept up in a Magic Mike moment? In an era of self-destructive and self-flagellating female protagonists, from Sally Rooney’s female characters to Fleabag, Jessie’s gentle messiness is a tonic. The sly subversiveness comes in the fact that Jessie is mostly comfortable with who she is, while Tom is insecure, even needy. She moves back into her old room, living with her flatmate Kate, and has to beg for her old job at the cinema. He is successful, and so wealthy that he has a big house without enough furniture in it. The differences that exist between her and Tom are mined for both comedy and pathos. Now Jessie has to figure out what to do next, in the aftermath of semi-blowing-up her life. I don’t think it is a spoiler to say that he persuades her not to get on that flight, and if there are any concerns about how to take a will-they-won’t-they story forward when they very much do, it’s swiftly dealt with by the many reminders that Jessie has a tendency to act impulsively without always making the most sensible choice. It picks up at exactly the moment where it left off, with Jessie half-heartedly on her way home to New Zealand, interrupted by Tom, who joins her on the bus en route to the airport. Series two is as much of a treat as the first. It goes wrong as often as it goes right, and the imbalance between their lives leads to an epic and occasionally swoon-worthy will-they-won’t-they. So far, so Notting Hill, except that in this much less irritating version, Jessie is only vaguely bothered about Tom’s celebrity, a fame which complicates their blossoming relationship. On a night out, she meets Tom (Nikesh Patel), goes back to his place, and the next morning discovers that he is a very famous movie star. It saw Rose Matafeo create, co-write and star in this story of “little rat nobody” Jessie (Matafeo), a New Zealander living in London, floundering around the city aimlessly, mostly happily. We simply cannot wait to uncover more teams of secret superstars and give them the ultimate popstar glow-up.T he first series of Starstruck (BBC Three) was a pure delight, sewing together a fresh sitcom using patchwork pieces of old Hollywood and new romcom. Full credit to our incredible host, panel and super talented contestants. Lawson added: “We couldn’t be prouder of this series. Rawcliffe said “ Starstruck has been a brilliant addition to our sparkling Saturday night schedule, with its stellar panel, stunning transformations and stand out vocals proving an instant hit amongst audiences.” The Starstruck format and finished programmes are represented internationally by Banijay. Cat Lawson is executive producer for Remarkable Entertainment. Starstruck is commissioned by ITV Head of Entertainment Commissioning Katie Rawcliffe and Commissioner David Smyth. Produced by Remarkable Entertainment (a Banijay UK company), contestants undergo the ultimate ‘superstar experience’, shedding their normal personas to become global icons, all courtesy of an elite team of glam and stylists overseeing an on-screen transformation. Launching this year with a consolidated 4.7 million viewers, the first series of Starstruck is due to conclude on April 2nd, as finalist acts including Freddie Mercury, Barbra Streisand and Billie Eilish battle it out in a bid to be crowned winner and walk away with a life changing sum of cash.
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